{"id":5265,"date":"2019-04-15T14:56:15","date_gmt":"2019-04-15T12:56:15","guid":{"rendered":"http:\/\/narmer.hu\/?post_type=portfolio&#038;p=5265"},"modified":"2019-04-15T14:56:17","modified_gmt":"2019-04-15T12:56:17","slug":"jogfosztastol-nepirtasig","status":"publish","type":"portfolio","link":"https:\/\/narmer.hu\/en\/portfolio\/jogfosztastol-nepirtasig\/","title":{"rendered":"FROM DEPRIVATION OF RIGHTS TO GENOCIDE"},"content":{"rendered":"<p style=\"text-align: justify;\">Instead of a traditional, chronological interpretation, the exhibition tries to portray the tragic events along a path of the stages of persecution. Deprivation of rights is followed by plundering, then the deprivation of liberty, later of human dignity and, finally, the deprivation of life. The series of real family and personal stories run along the exhibition. The luminous stripes on the wall symbolically run out at the end of the exhibition, and there are only empty showcases instead of the personal items in the opening space. In the closing space, you can hear wedding music deliberately filtering trhough from the first room, reminiscent of the pre-destructive period, while the tilted and tangled showcases in the first room already anticipate the coming tragedy. On the way to the main part of the exhibition the images and sounds of death marches project the upcoming events. From the exhibition, the road leads into a space of remembrance and mourning: the synagogue, where the glass seating installation represents the missing persons, communities, and community spaces.<\/p>","protected":false},"excerpt":{"rendered":"<p>A ki\u00e1ll\u00edt\u00e1s a hagyom\u00e1nyos interpret\u00e1ci\u00f3 helyett egy k\u00f6t\u00f6tt bej\u00e1r\u00e1si \u00fatvonal ment\u00e9n, nem kronologikusan, hanem az \u00fcld\u00f6ztet\u00e9s egyes f\u00e1zisain kereszt\u00fcl pr\u00f3b\u00e1lja \u00e1br\u00e1zolni a tragikus esem\u00e9nyeket. A jogfoszt\u00e1st a kifoszt\u00e1s k\u00f6veti, majd a szabads\u00e1gt\u00f3l, k\u00e9s\u0151bb az emberi m\u00e9lt\u00f3s\u00e1gt\u00f3l, legv\u00e9g\u00fcl az \u00e9lett\u0151l val\u00f3 megfoszt\u00e1s bemutat\u00e1sa t\u00f6rt\u00e9nik. A val\u00f3s csal\u00e1di \u00e9s szem\u00e9lyes t\u00f6rt\u00e9netek sora a ki\u00e1ll\u00edt\u00e1s ment\u00e9n fut v\u00e9gig&#8230;.<\/p>","protected":false},"author":1,"featured_media":5843,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[112],"portfolio_tag":[],"class_list":["post-5265","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-kiallitas"],"acf":[],"_links":{"self":[{"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio\/5265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/comments?post=5265"}],"version-history":[{"count":13,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio\/5265\/revisions"}],"predecessor-version":[{"id":5857,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio\/5265\/revisions\/5857"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/media\/5843"}],"wp:attachment":[{"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/media?parent=5265"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio_category?post=5265"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/narmer.hu\/en\/wp-json\/wp\/v2\/portfolio_tag?post=5265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}