Instead of a traditional, chronological interpretation, the exhibition tries to portray the tragic events along a path of the stages of persecution. Deprivation of rights is followed by plundering, then the deprivation of liberty, later of human dignity and, finally, the deprivation of life. The series of real family and personal stories run along the…
The content of our faith is that God is not an abstract principle, the „immobile mover,” „the ultimate but impersonal spiritual presence behind things,” but God is the one with whom men can come into contact. And if the question is who God is, then we are not satified with the answer that „God is”,…
Due the comprehensive reconstruction of the museum, the permanent exhibition of the Old Gallery could also be reorganized according to a new, contemporary concept. A selection of nearly four hundred pieces allows the visitor to get an overall picture of universal trends and art center interactions, in addition to the specificities of each of the…
The not yet complete baroque permanent exhibition of the Old Hungarian Collection follows the history of Hungarian art and its relations with Central Europe from the end of the 16th century to 1800. As the most spectacular part of the collection, the religious masterpieces of 18th century painting and sculpture received their own separate space….
The concept presents the world of ancient Egypt divided into three large thematic units, which were distinguished both spatially, and by wall colors. The three spaces and topics: Temples – Gods, The Nile Valley – People, Tombs – The Dead. The development of the interactive tools of the exhibition ran parallel with the design process,…
The Budapest Horse and Rider is presented among works of Leonardo and his contemporaries borrowed from foreign collections, pieces never before seen in Hungary, in the autumn of 2018. Leonardo’s ten drawings and the sculptures of the artists he inspired evoke the unsolved problem of the renaissance that Leonardo himself sought to solve for four…
The temporary exhibition was held at the Pannonhalma Abbey on the occasion of the year of Saint Martin. The focus of the exhibition’s concept was sharing, helping each other in a way, solidarity, and empathy. Looking at the photos and reading the life stories or St. Martin’s actions, the need for a space that is…
„Space should not be confused with place. The difference between place and space is that place has a number, space has a face. ” // Béla Hamvas: The Five Genii, Our Life, 1989. Seven different places where people from completely different backgrounds meet. Based on these different communities or „common differences”, we created a space,…
The exhibition was installed in the former bunker of the Ferencváros Railway Station. During the design process we had to integrate the original parts, elements, and sturctures of the bunker in the exhibition finding a delicate balance between old a new layers of the site.
Modigliani is known for his stylized portraits and sensual nudes, but contemporaries engaged in ancient art outside of Europe have also inspired him. These notes visible in his early sculptures gave the main inspiration for the installation. To showcase his later works we refined the formes and shapes, and translated the soft lines of the…